A Poet for our times: Reading Ramdhari Singh “Dinkar”
Another ceasefire violation along LoC, another terrorist attack, another dialogue with a great neighbour…and another peace initiative…As I read the news this morning, something triggered an urge to read Raashtrakavi Ramdhari SIngh “Dinkar”.
I was not disappointed. Courtesy Geeta-Kavita, “here is a great lesson in diplomacy and human relations from Ramdhari Singh Dinkar. Forgiveness of a weakling does not count. First have the power and capability to defeat the enemy, then only your offer of peace would carry weight. Virtues of forgiveness, kindness and tolerance are appreciated in society only if you first have the capacity to crush”.
***
कà¥à¤·à¤®à¤¾à¤¶à¥€à¤² हो रिपॠसमकà¥à¤·
तà¥à¤® हà¥à¤ विनत जितना ही
दà¥à¤·à¥à¤Ÿ कौरवों ने तà¥à¤®à¤•à¥‹
कायर समà¤à¤¾ उतना ही |
.
कà¥à¤·à¤®à¤¾ शोà¤à¤¤à¥€ उस à¤à¥à¤œà¤‚ग को
जिसके पास गरल हो,
उसका कà¥à¤¯à¤¾ जो दंतहीन,
विषहीन, विनीत, सरल हो |
.
तीन दिवस तक पंथ मांगते
रघà¥à¤ªà¤¤à¤¿ सिनà¥à¤§à¥ किनारे,
बैठे पढ़ते रहे छंद
अनà¥à¤¨à¤¯ के पà¥à¤¯à¤¾à¤°à¥‡-पà¥à¤¯à¤¾à¤°à¥‡
.
उतà¥à¤¤à¤° में जब à¤à¤• नाद à¤à¥€
उठा नहीं सागर से,
उठी धधक अधीर पौरà¥à¤· की,
आग राम के शर से|
.
सिनà¥à¤§à¥ देह धर “तà¥à¤°à¤¾à¤¹à¤¿-तà¥à¤°à¤¾à¤¹à¤¿”
कहता आ गिरा चरण में,
चरण पूज दासता गà¥à¤°à¤¹à¤£ की,
बंधा मूॠबंधन में |
.
सच पूछो तो शर में ही
बसती है दीपà¥à¤¤à¤¿ विनय की
संधि वचन संपूजà¥à¤¯ उसी का,
जिस में शकà¥à¤¤à¤¿ विजय की |
.
सहनशीलता, कà¥à¤·à¤®à¤¾ दया को
तà¤à¥€ पूजता जग है,
अल का दरà¥à¤ª चमकता उसके
पीछे जब जगमग है |
.
***
Those of you with an interest in Hindi literature will find the “Geeta-Kavita” site very useful and interesting. It has “a selection of large number of well known Hindi poems and some thought provoking articles”
Here is a translation of the poem by Maverick:
***
Mercy, resolve, tact, tolerance
You’ve tried everything and some
But o my king of men
When did Suyodhan succumb?
The more forgiving you were
In your humane compassion
The more these rouge Kauravas
Pegged you as cowardly ashen
This is the consequence
Of tolerating atrocities
The awe of machismo is lost
When one’s gentle n kindly
Forgiveness is becoming of
The serpent that’s got venom
None cares for the toothless,
Poisonless, kind, gentle one
For three days Lord Raam kept
Asking the ocean for a passage
Sitting there he petitioned
Using the sweetest words to engage
When in response there was
Not a whisper from the sea
A raging fire of endeavor
Rose from Raam’s body
The ocean took human-form
‘N supplicated to Raam
Touched his feet, was subservient
A slave he had become
Truth be told, it’s in the quiver
That lies the gleam of modesty
Only his peace-talk is reputable
Who is capable of victory
Tolerance, forgiveness and clemency
Are respected by the world
Only when the glow of strength
From behind it is unfurled
***
Image courtesy: Culturopedia
If all these great thoughts & ideas do not induce action not by the govt but actions in our narrow n mean personal lives nobody else including India’s enemies are to be blamed.We are getting what we desrve. We have a govt that we deserve n getting the treatment that we desrve from our neighbours.
Beautiful. “Virtues of forgiveness, kindness and tolerance are appreciated in society only if you first have the capacity to crush” – How true! Thanks for sharing. Please post more.
bachpan mein bahut poems padhi hai inki..
aaj padhkar vahi din yaad aa gaye 🙂
=>
If all these great thoughts & ideas do not induce action not by the govt but actions in our narrow n mean personal lives nobody else including India’s enemies are to be blamed.We are getting what we desrve. We have a govt that we deserve n getting the treatment that we desrve from our neighbours.
=>
Shantanu, could you please post another poem about perseverance, not giving up so easily and keep trying again till success kisses one’s feet? 🙂
A relevant poem and a great poet, but please allow me a digression:
To me, the greatest test for any poet or author dealing with Mahabharata is his/her treatment of Karna.
Vedavyasa’s Karna– the original Karna, was a openly bad character– a cheerleader of adharma, master of shortcuts and above all, a loser who was proven to be inferior to Arjuna at every given opportunity.
Conceded, he was wronged by his mother. But his acclaimed prowess is just a bunch of hyperbole.
I would be very interested to know how “Rashmirathi” treats Karna.
All: Thanks for the comments…
Kaffir: I might just do that!
Kedar: Thanks for posing the question…would be interesting to find out…although some may not agree with your characterisation of Karna. More on this later.
Sure Shantanu. Do go through this at your leisure. This is a very important aspect of 20th century bharatiya literature.
Also, it is not a question of agreeing with me.
The actual question is:
Does a characterisation of Karna align with that of Veda Vyasa (or even the rishi VaishampAyana, who narrated the bhArata story in its current form to other rishis in NaimishAraNya) in MahAbhArata?
An account of Raashtrakavi Dinkar’s last days. From Nanaji – as I knew him by S Gurumurthy:
…My association with Nanaji Deshmukh started with my friendship with Ramnath Goenka. Ramnathji and Nanaji were not only great friends, they both thought and felt about the country almost alike. The mutual trust and admiration that they had was rooted wholly in their love of the motherland, totally devoid of any kind of personal interest. The Nanaji-Ramnathji combine felt that no goal other than what they thought was the good of the nation.
…It was the Ramnathji-Nanaji duo that persuaded Jayaprakash Narayan to agree to lead the Bihar movement in 1974, which changed the political picture of the country.
An incredible incident made Jayaprakash Narayan to agree to the plea of Nanaji and Ramnathji to lead the movement against Indira Gandhi.
I came to know of this in the late 1980s when at a dinner in the Express Towers in Bombay I asked Nanaji and Ramnathji how they brought JP into the movement.
Nanaji described the thrilling and unbelievable episode. A historic meeting of Ramnathji, Nanaji, Achyut Patwardhan, the hero of the 1942 underground movement and Ramdhari Singh Dinkar, a great Hindi poet, took place sometime in 1973 in the Indian Express Guest House in Bangalore. Ramnathji, Nanaji, Ramdhari Singh Dinkar and Achyut Patwardhan, began insisting that JP should lead the movement as Indira Gandhi had become highly autocratic and had begun destroying the institutional framework of democracy including the judiciary and bureaucracy.
Incidentally, Dinkar was one of the greatest friends of the Nehru family and particularly of Indira Gandhi herself. But that did not detract him from doing what he thought was his duty to the nation.
JP was hesitant mainly because of his health. He was a diabetic and had acute prostrate gland issues. He said that he would not be able to live for long and his health did not permit him to undertake such an arduous task. Ramnathji assured him that he would have his prostrate operation done in Vellore, which he eventually got done later. But JP could still not make up his mind. At that point, Ramnathji suggested that all of them should go to Tirupati, have darshan and prayers and from there, go to Madras as it was known then, and continue the discussions. And they all left for Tirupati.
During the darshan at Tirupati, Ramdhari Singh Dinkar openly prayed to Lord Balaji, to the hearing of JP and the others, that whatever remaining years of life Dinkar had the Lord should give them to JP to help him serve the cause of the motherland. And they all returned to Madras and to Ramnathji’s house in the Express Estates in Mount Road.
Within hours Ramdhari Singh Dinkar fell on the lap of Ramnath Goenka and died — yes he died when JP, Nanaji and Achyut Patwardhan were around. It was clear that Lord Balaji had answered Dinkar’s prayers. JP’s decision to lead the movement came in no time. Despite my several requests Nanaji had refused to write about it in the Indian Express. When I asked him how will the people of India know about it, he said that he had written in his diary and he would like it to be known after his death. Now that he is no more I felt free to write about it…”
***
As some of you may know, JP’s seminal speech during the Emergency was at a massive gathering of one lakh people at the Ramlila Grounds at which he “thunderously recite(d) Ramdhari Singh Dinkar’s wonderfully evocative poetry: “Singhasan Khaali Karo Ke Janata Aaati Hai” (vacate the throne, this the multitude demands).” [link]
Fabulous Shantanu ji, I was moved. We had such Deshbhaktha that did not think twice when it came to any kind of sacrifice for Bharath Matha. Such poetry is relevant and will be relevant for generations to come. I honestly thank my mom and Dakshina Bharath Hindi Prachar Sabha for teaching me Hindi and appreciating such works. I quickly grabbed my copy of “Kurukshetra” penned by the same great poet.
I think it is the need of the hour for all the Bharath vasis to wake up from their deep slumber and just check around…where are we now, where are we going, is this what we want to happen to our country, Is this what we want for our future generations?? Your blog is doing exactly that.
Excellent job, you made my day!
Karna is the Hero of Rashmirathi. The very name of the book means ‘Rider on the Chariot of Sunrays’, Karna being the son of Surya and Kunti.
Rashmirathi and the Character of Karna
1. Karna is the representation of unrewarded merit. When not allowed to compete at an archery competition and mocked for being the son of a charioteer and not of Kshatriya blood, he boils and seethes within because he knows that his skill at arms has no equal in the gathering. This dichotomy between birth and merit or ‘Guna’ and ‘Gotra’ has been a recurring theme in Dinkar’s poetry and is of social significance even now, 58 years after the first publication of ‘Rashmirathi’.
2. He is exceedingly loyal. Even though he knows that in the dispute between the Pandavas and Kauravas, truth and right are with the former, he never once thinks of abandoning the latter. This is in gratitude and out of a sense of loyalty to Duryodhana who had conferred the title and deed of Anga Desh upon Karna when he was mocked and spurned by all during the archery competition mentioned above. Later, even after Kunti informs Karna that he is her first born and that he will get his due as such if he joins with the Pandavas, or at least abandons the Kauravas, he refuses due to the same reason. This is one of the most moving passages in ‘Rashmirathi’ where the turmoil of the mother’s heart is brought out in stark relief by the Poet.
3. Karna is generous to a fault and gives away his impenetrable ‘Kavacha-Kundala’ to Kunti when she asks for it, knowing that after this his life may be forfeit.
4. It also shows his confidence in his own valour because he has belief that even without his armour he can take on Arjuna.
5. The Pandavas and their cohorts, especially the wily Krishna, use all legitimate and illegitimate tools to try and defeat Karna without fighting him and then kill him when he is dismounted from his chariot, which act is patently against the Rules of War. Though it is justified by the Pandavas as just desserts for the death of Abhimanyu when similarly dismounted, shouldn’t the Pandavas as the Paragons of Virtue play by the rules as against the Kauravas, who are portrayed as Evil Personified? But the point is that through all the trials & travails, Karna alone stands steadfast, immovable and unperturbed as though he knows that History will judge him by standards that are far more exacting than those it applies to the Pandavas.
Overall, far from the opportunistic, vengeful, evil Karna of Vyasa, Dinkar has interpreted him as the classic Tragic Hero caught on the wrong side during one of the cusp moments of history. He knows that he is mocked in life and will probably be vilified after death (as he has been for four thousand years in the telling of the Mahabharata). But this neither moves nor rocks Dinkar’s Karna from the path that he has set himself. It is this reinterpretation of Karna, a first in Indian literature, that sets the Rashmirathi as a character who is leagues apart from the Karna that everyone had known from Maharshi Vyasa’s epic.
Please read Shri.Shankara Bharadwa’s analysis of Karna in Hindupedia.
“Basically, putting valor aside, Karna had one quality: to run away
from the field when the enemy proves stronger. Which is what made him
show low in front of great Kurus like Bhishma and Arjuna. His curses
combined with this quality were the reasons Bhishma categorized him as
Artha rathi and not as a Maha rathi.
a) Karna was taught by Drona with the permission of Kuru rulers. When
Drona asked for Guru dakshina, which is to arrest Drupada, Karna was
there with Duryodhana and the entire army. They lost to Drupada, could
not stand his army and came back showing their backs to Drupada.
Immediately after this, just the five Pandavas went, without army,
defeated and arrested Drupada, presented him in front of Drona as
their Guru dakshina.
b) Then not much of war, just a show where Arjuna and Karna competed –
no result.
c) Ghosha yatra: The Gandharva Citrasena attacked the Kaurava army,
Karna ran away from him, unable to stand him. And Citrasena arrested
Duryodhana and Arjuna-Bhima released Duryodhana upon Yudhistira’s
instruction.
We cannot say humans cannot fight Gandharvas, because Arjuna defeated
Gandharvas, and Bhima defeated even Yakshas in different occasions.
d) Gograhana: Arjuna alone, vanquished the entire Kaurava army – with
Aswatthama, Drona, Bhishma, Kripa, Duryodhana and Karna. Of these,
some were defeated – Karna was defeated and he basically ran away from
the field.
The Great Mahabharata War:
e) Abhimanyu defeated Karna
f) Satyiki defeated Karna
g) On the day Jayadratha was killed, Bhima was on fire. To protect
Duryodhana’s brothers from gettign killed in Bhima’s hands, Karna
went. Bhima defeated Karna (mind you, with archery alone), then killed
5 brothers of Duryodhana. Karna came back. Then Bhima again defeated
Karna, and killed 10 more brothers of Duryodhana. Again he defeated
Karna, and killed 10 more brothers of Duryodhana. Then he again took
on Karna, but they went into an army of elephants. Then Bhima got out
of his car, with his mace. At this point he came too close to Karna’s
chariot. Then Bhima had one option to break the car and Karna – he did
not because Arjuna had taken oath to kill Karna. It is at this point,
that Karna puts his bow around Bhima’s neck and insults him.
Then Arjuna defeats Karna, takes Bhima on his chariot, and rebukes
Karna for behaving cheaply. While Bhima defeated Karna so many times,
he does not insult Karna. But the one chance Karna gets, he shows his
character.
h) Again, the day Karna is killed – Bhima fights Karna, and Karna
faints. When Bhima, out of anger, tries to cut his tongue off – Salya
saves Karna by asking Bhima to leave him and go away.
i) Karna loses to Arjuna in every encounter, and Arjuna is called
Vijaya- he has not been defeated anytime. The only one single occasion
when Karna gets advantage is when he uses Nagastra that hits Arjuna’s
helmet. And there is nothing about Brahmastra here, because Arjuna
never had to use it in the entire war.
2. Friendship
Following valor, the next to be talked is his friendship. This is
another point on which we hear a lot of rallying around Karna. We can
see what aspects of friendship did Karna satisfy.
a) There are three grades of friendship – 1. Out of mutual affection, 2.
Out of common cause, 3. Out of common enmity. These are uttama,
madhyama and adhama kinds.
There are two contrasting pairs of friends in Mahabharata.
Krishna-Arjuna is the first kind, and Karna-Duryodhana is the last
kind. Krishna and Arjuna held each other’s side for their affection,
for their commitment to dharma.
b) While Karna and Duryodhana stuck to each other, out of strategic
enmity. Karna to vanquish Arjuna, and Duryodhana to vanquish Pandavas
with Karna’s help.
Next, friendship, as it is defined, a good friend is one who guides us
in the right path, makes us do things for our well-being. While we see
Krishna always guiding Arjuna on the right path, Karna always guided
Duryodhana on the wrong. He not only persuaded Duryodhana not to do
wrong things, but in fact he was the architect of most unrighteous
deeds of Duryodhana – burning the palace of lac, insulting Draupadi,
killing Abhimanyu through deceit, what not.
Not only, that, but the false kind of confidence Karna gave to
Duryodhana about his own skill and boasting of vanquishing Pandavas,
was the inspiration for Duryodhana to go into the war, eliminate his
clan and cause a huge human loss.
c) A friend is one who stands by us in times of difficulty. While Karna,
in most of the occasions, has ditched Duryodhana in the middle of the
war. Right from when they ran away from Drupada (while trying to fight
and arrest Drupada as part of Gurudakshina), Karna could not be of
help. In Ghosha yatra when Citrasena attacked their army, Karna,
instead of trying to rescue Duryodhana, ran away first. He did the
same in Gograhana when Arjuna was slaying their armies. Karna left
Duryodhana to his fate and fleed.
So not only from valor perspective, but even as a good friend, Karna
basically failed Duryodhana.
3. Dharma Nistha
Karna was among the most Adharmic characters of Mahabharata. We say someone is Dharmic, if the purpose of his actions is Dharma,
and when it is not arbitrary, but consistent. When we talk of a
person, it is good to list out what his dharma is, and then evaluate
how much he stood for it. So in case of Karna, these are the
applicable ones:
a) Raja Dharma: Karna is appointed the king of Anga, and became a
king. Karna, as a samanta of Duryodhana, executed his duties well.
Though there is no special mention or praise for his ruler ship, that
is one thing he smoothly conducted.
b) Kshatriya Dharma:
a. A Kshatriya is not supposed to accept any favor from anyone. This
is demonstrated by many kings, including Pandavas. Rama was offered
the heavenly worlds by the Rishis when he visits them during vana
vasa, but Rama replies that being a Kshatriya he should not accept,
but will earn those himself. Hariscandra, was offered help when in
trouble, so that he could be bailed out. He too, refuses help as he is
a Kshatriya.However, the beginning of Karna’s career includes taking such favors – he does not win but gets Anga Rajya as a favor. Also, he, along with
Duryodhana’s team, fails in giving Gurudakshina to Drona.
b. A Kshatriya is not supposed to run away from the war, even if it
means death. Karna not only arbitrarily runs, but has the habit of
running from the field. He ran away in the following occasions:
i. When he fought Drupada to arrest him and present him as
Gurudakshina to Drona
ii. When the Gandharva Citrasena fights them during Ghosha yatra
iii. During Gograhana, unable to withstand Arjuna
iv. In the war, he runs multiple times in the few days he
fights – from Bhima, Arjuna, Satyiki, Abhimanyu
c) Mitra dharma:
i. A friend’s duty is to guide, as a well wisher, and make the friend do what is good for him. Sreya (one that gets good) and Preya (what we want) are two things and it is the responsibility of a friend to do both, and when there is a contention, choose sreya. Karna chose to tell preya to Duryodhana, even if it meant destruction, thus being a bad friend. He guided Duryodhana on the path of unrighteousness.
ii. A friend should be with us, in times of need. Karna did fight the
war on Duryodhana’s side, like others – Aswatthama, Drona, Kripa,
Bhishma, Vikarna who knew Dharma was on the other side but it was their Dharma to fight on Duryodhana’s side. But unlike those, Karna left Duryodhana many times in the field to be arrested:
1. Ghosha Yatra
2. Gograhana
3. Duryodhana was defeated multiple times in the war, by
Yudhistira, Arjuna, Nakula. It was in front of Karna’s eyes, that Duryodhana’s brothers were killed by Bhima. Karna’s valor not only proved useless in stopping Bhima, but in turn it was Duryodhana who sacrificed his brothers to save Karna.
d) Vyakti Dharma: A Dharmic person is supposed to act dispassionately, according to Dharma. His actions should be based on dharma and not on preferences.
Whereas Karna’s actions, most of the times, are driven by strong
negative tendencies:
a. Jealousy for Arjuna was one motivator for his life. During
vidyabhyasa, when the princes were to display their martial arts,
Arjuna did, so as Bhima and other princes. Karna asked for a chance
and he was immediately given chance by Drona to exhibit his skill. But
he did not stop there, he wanted to fight Arjuna. It was then that he
was insulted and consequently given Angarajya. The same was the reason he approached Drona for Brahmastra. Drona refuses, since his motive is based on enmity and not loka kalyana. Then he approaches Parasurama for the same and lies to him that he is
a brahmana. Parasurama, being noble, curses Karna only to the extent
that he gave instruction and not for entire astra vidya of Karna. Even
here, it is clear that Karna put his enmity above Dharma.
Very few know that Karna had a sense of competition with Arjuna even
in dana guna. There is a story where a brahmin goes to Arjuna while it
was raining, and asks for wood. Arjuna says he cannot give. Then he
goes to Karna and says he needs wood for cooking. Karna asks him if he
went to Arjuna, is pleased by the reply, and then gives him the wood
from his own house – by breaking a pillar of his palace.
The technical aspect in dana guna is that it should be done purely as
a matter of principle and not for any return. The moment there is a
return, then it does not remain dana. And Karna giving his natural
armor to Indra is such. Karna’s desire in doing dana is to get the
power to slay Arjuna. And the moment he gives his armor to Indra,
Indra gives him the Sakti which is capable of slaying anyone. There,
that very moment, Karna’s offering is returned with something that is
capable of fulfilling his desire. He used it to save his life from
Ghatotkaca later, but that is a different thing. (That again proves
that power cannot do anything when you are not on the side of Dharma.)
Contrasting this with Arjuna, his virtue was purely a virtue, and not
a rule or contract. When a brahmin approaches him to save his cattle,
he goes, knowing that he has to pass through and disturb Yudhistira’s
privacy if he has to take his weapons. The arrangement was that he had
to do vanavasa if he did that. But Arjuna being noble, saves the
brahmin’s cattle, then goes to vanavasa. (Of course, he gets more
astras, marries Subhadra and gets benefited in many ways. And this
proves that if you are by Dharma your wellbeing is ensured.)
It is the same jealousy for Arjuna, that makes Karna insult Draupadi.
It is the same jealousy, that makes him conspire Laksha griha,
engineer the murder of Abhimanyu and many other unrighteous deeds. A
person, however knowledgeable he may be, will turn into a wretch if he
surrenders to qualities like envy – and entire life of Karna stands
for it.
b. Karna lacks the dignity of a king. He bad mouthed those revered
like Bhishma and Drona, in multiple occasions – Gograhana, during
Krishna ‘s rayabara, before the treacherous game of dice and before the
war begins. The reasons i. they praise Arjuna
ii. they want to do good to Duryodhana and prevent him from
inviting his death
iii. they adjudged Karna’s valor, with a balancesheet based on
his capabilities and weaknesses
e) Karna’s death: He was killed when he was standing without a
weapon, and that was the inspiration of Krishna to punish Karna for
what he did. Technically, a person who has Brahmastra and Pasupata
cannot be defeated and Arjuna, along with Bhima, was ajeya, who cannot
be slain. They were the only ones in entire Dwapara Yuga who could not
be defeated. So it was out of question that Karna could defeat Arjuna.
And with Pasupata or Brahmastra or any other Divya astra, Arjuna could
have easily slain Karna any moment he wanted.
(But Arjuna was principled to the hilt – he did not use those astras
because they should not be used for selfish reasons, and against an
enemy who is weaker. While Karna tried to gain and use those purely
for selfish reasons, that too negative. Also by Astra vidya or tapas
Karna was much inferior to Arjuna who was none but Nara maha rishi
taking another life to continue his tapas. For both the reasons,
Arjuna did not use those astras. He uses Brahma siro namaka, against
Aswatthama, that too as a response to his astra. And he takes it back
when Rishis ask him to. While Aswatthama still does not, and directs
it on Uttara’s womb. Even at his own loss, Arjuna heeds to elders’
words, withdraws instead of using his astras.)
Instead of killing Karna in an encounter, killing him when he was
helpless was to teach him that he did similar things which were wrong.
Overall, a discussion of Karna as a hero happens in the context of the lower side of human character and not in the context of its higher side. For instance, one could say Karna did not desert Duryodhana in the war and he could have, so he is great. But one cannot say he is a great friend, because he did not do what a great friend should do – to prescribe what is in welfare of the friend or what the friend should do to be righteous and virtuous. One could say he did a great “dana†but one could not say he is selfless in doing so. One could say he is a great warrior, but not that he is a great kshatriya. Therefore Karna is always compared to what worst a human can do, and marked better than that. But he is not compared to what best a human can do, because he falls much short of that. “
ye BHARAT ka durbhagya h ki aj hindi kavitye net pe dudane par b hindi me nhi milti. jabki hindi hamari MOTHER LANGUAGE h.
mai BHARAT k har vasi se anurodh karta hu ki en hindi kavitao ko HINDI me hi jine de . kyo ki kuchh chije apni bhasa me hi achchhi lgti h.
jai hind.
jai hindi.
BY-
SUSHEEL KUMAR
NATIONAL INSTITUTE OF TECHNOLOGY, WARANGAL,A.P.